The Caliph Seeks Asylum
Galleria d'Arte Moderna Torino, Italy, 2019
Commissioned by GAM Torino, realised in collaboration with Athr Gallery
Site-specific installation with 3,500 recyclable PVC pipes
The Caliph Seeks Asylum is a pair of tent-like structures built from roughly 3,500 PVC pipes and pitched as a makeshift camp outside any fixed time or place. One tent is for a Caliph whose ideology has been rejected and sent into exile. The other is for a refugee displaced by the devastation that ideology produced. Both are stranded in a foreign land, left to negotiate a way back to a peaceful home.
The work belongs to Shono's ongoing revision of the Arab psyche, a quiet refusal of the lesson he was taught in the classroom: that self-esteem is tied to victory on the battlefield. The camp suspends that lesson in time. It becomes a node on the historical timeline, a meeting point for those who would adopt and those who would reject the same inheritance, and a place where fighters chasing the myth of lost glories and the populations their conflicts displaced might sit together and imagine a different way forward.
Shono proposes a return to glory of a different order, that of the Golden Age of Baghdad, reached not through the resurrection of caliphates but through the rebuilding of Arab Houses of Wisdom.