Passages

Each work begins with a unique carbon imprint left through an act of impact—a fracture driven into the surface like a fault line across an unmappable terrain.

Upon unfolding, the artist responds in ink, drawing out the grain, the ruin, and the imagination the impact has released. Here, the land is approached not as a landscape to be viewed, but as a passage that cannot be read. It is an illegible geography, its grammar broken by violence, its syntax buried in the soil.

Each work begins with an act of disruption and continues through a process of inscription, where fracture becomes image and impact becomes line. No two are alike. What was once a fixed story unfolds again, transformed through collapse, trace, and response into a map of a territory that refuses to be deciphered.